In my work, I explore how time, memory, and landscape take shape through textile. Weaving and embroidery are slow, physical processes for me, where the act of making remains visible. At the heart of my practice is the idea of being "close from a distance"—the way a landscape or a lost loved one can still feel present through the things we make. In the quiet of my atelier, these memories often feel even closer than when I was at that location or with that person. I seek to capture that beauty from before as a form of contemporary nostalgia, offering a quiet way to find comfort in what is no longer physically there.

In a world that is getting faster and louder, I consciously choose to slow down. Especially in these restless times, I want to bring beauty and softness to the world. As a textile artist, I find fulfillment in a humble approach; I simply do what I love, creating without pretense. For me, beauty isn't an escape; it comes from working with care, curiosity, and a deep connection to the generations of women who worked with textiles before me.

I love working with natural and antique materials, such as embroidered tablecloths, hand-dyed wool, or silk ribbons, which carry their own history. By layering threads or leaving open spaces, I try to capture the feeling of a landscape—its stillness and its movement—rather than just a literal image. My pieces are simple, still records of time and workmanship, bringing the past gently into the present.